Sunday, 19 June 2011

The Vejtables - Anything b/w I Still Love You (Autumn - 1965)

Recently I purchased the wonderful 4-cd/book boxset - Love is The Song We Sing; The San Francisco music scene 1965 - 1970 on Rhino Records and have thus far thoroughly enjoyed the set, it is well packaged and is a great compilation full of facts and cool pictures.

The Vejitables are a group I've overlooked in the past, I dunno why??? but I guess I've always assumed they had no real songs that I'd dig, I was proven wrong. I've been into 60s underground music since I was a teenager, so almost ten years of intense research into the genre and I missed the boat with The Vejtables, until very recently, I guess that is the good thing about music, it continuously surprises.

The track 'Anything' blew me away when I heard it and  has since become one of my favourite songs of the moment.

The track was recorded and released in mid 1965, which is amazing as it sounds like it belongs  a couple of years later in 1967, it easily sounds like it influenced what the Mama and The Papa's went on to later do, the rich harmonies, the strange chord progressions and general summer time vibe.

The Vejitables consisted of -

Bob Bailey - lead vocals, percussion
Ned Hollis - lead guitar, organ and backing vocals
Reese Sheets - rhythm guitar and backing vocals
Rick Dey - bass and backing vocals 
and the ever so gorgeous and talented Jan Errico - drums and backing vocals.

Jan was one of the first ever female drummers and she was highly talented, not only was she pretty but she was also a phenomenal songwriter, musician and later went on to be in the Mojo Men.

The Vejtables were a short lived group but I feel in their short time were pretty important if only for their initial influence via their harmony style.

They had four 45rpm singles ranging from Folk-Rock, Beatles-esque Garage pop, and Psychedelia, they disbanded in late 1967.

For me the highlight of their recording output is 'Anything', have a listen to it below.


Pics taken by Jim Marshall and photographed from the 'Love Is The Song We Sing' cd/book set on Rhino Records




Thanks

Paul Messis

Saturday, 18 June 2011

Beat Happening - Jamboree (1988)

The musical landscape of America in the 80s was not a very pleasant one, the 80s musical world in the states lacked any real substance, aside from a few hardcore punk bands that came out of Los Angeles and San Francisco during the early 80s, a few post-punk style groups such as Devo and Pere Ubu (who had funnily enough begun in the 70s) and black America expressing itself in the music of Hip-Hop and Rap, the musical airwaves were mainly consumed by god awful hair-metal styled rock bands such as Metallica, Guns N Roses and Van Halen, also the charts were full of self-indulgent crap which consumed the billboard, stuff like Tiffany and Milli Vanilli etc etc.

It wasn't until the advent of 'college radio' that some of the more obscure groups begun to get recognised. The UK had a wealth of "underground" groups which were an influence to listeners of these American college radio stations, however there was a distinct lack of American groups, you had to search beyond the radar to find cool bands amongst the wealth of shit which was the 80s American  music scene.

The band and album I am going to write about were one such instance when the music was spot on, fresh, new and raw, it had the spirit of the current times yet also had the spirit of the past making for great songs and a fantastic album.

The Band were, The Beat Happening.


The Beat Happening formed as early as 1982 in Olympia WA its members include Calvin Johnson, Heather Lewis & Bret Lunsford.

Calvin Johnson was one of the founders of cult indie label 'K records', the label re-established a DIY punk ethic and released a shed load of stuff from a bunch of bands including The Beat Happening's own records.

The Beat Happening had 4 studio albums before they silently stopped recording and playing live, however it was their second LP, 1988's Jamboree that saw them make waves on the Indie scene and the album in question influenced a load of musician who would later cover the Beat Happening's songs and state their influence onto their own recordings, one such person was Nirvana's Kurt Cobain who claimed that 'Jamboree' was one of his all time favourite albums.

The Beat Happening's influence can be heard all throughout American Alternative music now and I guess if anything that alone is their sole legacy.

What I really dig about the band is they remained totally true to themselves, they never sold out to convention, despite the many times it was offered their way, they remained in Olympia WA and recorded primitively in their own studio and own style, they released albums and singles on their own independent record label and totally didn't care for the corporate side of things, they made a success out of humble origins and although they didn't make money, they at least influenced people in a way that taught them "HEY you can do this TOO" and I feel this idealism is what was important in the beginning stages of the 'Grunge' genre before the corporate strangle-hold tore that scene to shreds and Kurt blew his brains out.

Jamboree is a cult classic, it's a great album and I feel if you like what you hear below you should indeed purchase the album.

The album has a wealth of material which stands out and makes a great impression.

Below are my favourite tracks on the album...



Indian Summer - This song is as Dean Wareham from Galaxie 500 stated "....Indian Summer is like the 'Knockin' on heavens door' of the indie world, everyone's done it...".It's true, a wealth of bands have covered Indian Summer, I myself have recorded a demo of it at home. The song is beyond Velvet Underground in its style, the monotone of the drums, the two chord simplicity and the twee lyrics about a perfect summer time adventure around Olympia WA.... what more do you need from a song?



In Between - 'In Between' is my favourite song on the album, it's a perfect track, raw, to-the-point and more expressive than most bands' whole albums... I love the vocal style and the way the guitar sounds so discordant, I love the lyrics.... "I asked you about the past, you didn't wanna talk about it, you didn't want to trouble, it's just all history" & "Try so hard to make you forget, see yourself in the TV set".... Brilliant!!!




Bewitched - The fuzzed out garage punk guitar riff running through this is genius, the Mo Tucker styled drumming is far-out and the simple lyrics... "I Gotta Crush On You, I Gotta Crush On You, What am I Gonna Do? I Gotta Crush On You!!!"... Amazing and straight to the point, what is great to me is, shit bands like Bon Jovi and Brian Adams spent years trying to write perfect love songs, but then you hear this and its right there up in your face attacking you and making you confront your feelings and internal emotions, to me 'Bewitched' is a perfect modern day love song!!

Enjoy 

Paul Messis



Friday, 17 June 2011

Jake Holmes - The Above Ground Sound (1967)

Some day's when the rain is pouring down, the feelings of emptiness fill the soul, the sadness of other people's ways hurt you and cause you pain, there seems to be no-one else on the planet who seems to understand what is going down in the dark recesses inside your head. However there are, on these strange and desperate days the odd album which seems to fit that very moment and seems to alleviate the pain and make things a little less worse than it is.... I guess you can call these albums 'Rainy Day Albums'.

Today after being asked if I liked Led Zeppelin, it got me thinking about the musician I am writing about in today's blog-post; Jake Holmes. 

Jake Holmes is a really cool singer-songwriter who came from the Greenwich Village Folk scene during the mid to late 60s.

In response to the question of if I liked Led Zeppelin, I did answer NO!!! I have never understood Led Zeppelin and what they were about and I think what they did was all too grandiose, over-the-top and up its own arse for my own liking, plus I feel their songs have no real emotional basis and don't impress  me at all aside from the fact that they may be good from a technical standpoint. I also hold a huge disdain towards Led Zeppelin purely as they stole 'Dazed and Confused' from the aforementioned Jake Holmes and claimed it to be their own??? they didn't originally give Holmes any credit and took the song and claimed it was written by them.... For that alone I kind of hate them, how low can you get?? 

Jake Holmes released two LP's during the 60s, 'The Above Ground Sound' (1967) and 'A Letter to Katherine December' (1968) both of which at the time received no critical or public acclaim, in fact both albums were totally ignored and faded into obscurity as soon as they were released, which I guess is why philistines like Jimmy Page took songs from it and claimed it as his own.

Jake Holmes' song-writing greatly influences me, I guess how it does so, is because his songs are very personal to him and his life.

Jake Holmes also suffered with depression, I can relate to this, as I do too, Holmes' mental state can be heard throughout in the lyrics and feel within his songs on both of his albums, I really enjoy that fragility and tenderness in Jake Holmes, it is most apparent on his debut long-player, his second long-player is similar to Syd Barrett's albums in that it makes for difficult listening as you are actually hearing the soul of a man, breaking down slightly.

I can really relate to his mind-set and can understand where he is/was coming from, often I find that my best friends come from my record and book collection (sad hey?) , Jake Holmes is one of those friends who seems to be kindred to me and who only comes to hang out with me every so often when my mind and soul need his songs and words, I have found, it always seems to be raining when we meet each other??

There is a lot of pain in 'The Above Ground Sound' album, you can hear it all throughout... there is a lot of pain inside of me also and I guess this album helps me through a great deal of things, especially on day's like this when the sky is grey and the rain falls heavy to the ground.

'The Above Ground Sound' has ten great songs each with their own individual personalities, of these ten, one is the infamous 'Dazed and Confused'.

The LP sleeve has a real cool picture of Holmes, plus a bunch of fantastic and personal liner notes for each of the songs (I will put a few examples below in italics under the songs I choose to play)

I will now post a few videos/clips of songs which I really dig from the album and a short explanation why I like the songs.




LONELY  - "Explaining the lyric is fairly simple. When you spend time at anything you can grow to like it. People must have something to hold on to and if there is nothing, they hold on to nothing...."

The liner notes above pretty much say it all about this song.... I guess when I first heard this song, my mind flipped-out, mainly because the music is so mad, it is the sound of confusion in music, it is anger, it is frustration, it is sadness and it makes real sense to me, then to top it off you get a really killer lyric to end the song "I have a friend his name is lonely, he's always by my side, he borrows all my confidence and steals all my pride!!!"..... no other lyric can express manic depression as well as that, especially when it is sung by Jake Holmes in the most gut wrenching and venomous of manners.



 She Belonged To Me - "Almost everybody has owned a car they shouldn't have sold. A Ford '49, '53 Chevy, '55 Plymouth an occasional Crosley... I had a girl like that once."

This track is possibly the most upbeat track on the album, I really like it for it's cleverness, I like the fact the title is written in the past tense 'She BELONGED to me', it's rare for a song of this nature to be like that, I think it's pretty cool and a smart idea. I think I understand what Holmes is on about in this song, when you get a 'special' girl come into your life, you become spellbound, I guess this song is a magical ode to such girl's from the point of view from guy's like me and Jake Holmes.... I don't even know if that makes sense???? 

I also like the humour used in the lyricism throughout the song especially at the end.



Genuine Imitation Life - "I don't like talking about this song. It's an accident that took a long time to write. I wish I didn't feel that way about life"

This track is a magical piece of beatnik styled folk music, I love the pure poetry in this song, it's wonderful, the first time I listened to this song I cried, because it made so much sense to me, this track is a pioneering protest song against all the things in society I hate and despise. Jake Holmes puts to music one of the hardest things to complain about in this world and that is people and their faults. It's an amazing song... Listen out halfway through for the chord change which will make you feel very funny inside.... check out the venom sung in the lyric "People worship crosses, fingers crossed behind their back"... GENIUS.




Dazed and Confused - "This song is a combination of colors, a place I understand but cannot stay too long in. I get empty. I like it most because it makes sense by being unreasonable"

This is the song that Led Zeppelin had the cheek to claim as their own.... this version, the original is more raw and schizophrenic and that is why I much prefer this than the Wayne's World styled mockery which was the Led Zeppelin version.





Signs of Age - "Policeman, athletes and schoolteachers are all supposed to be older than me... they're not. Suddenly I'm not a child, I won't trade what I've got though"

This song is quite fantastic, I guess Jake Holmes was the same age as me when he wrote this, twenty-five and he is asking the same questions and having the same doubts... I think it is one of the few songs ever written which openly questions that weird age of the mid-twenties in such an honest way... it's kinda cool and a fitting ending to both the album and this blog post.


Enjoy the rain if you can?

Paul Messis


Wednesday, 15 June 2011

'Full Of Love & Full Of Wonder' by Nick Savvas

As a child, I used to have a morbid fascination with Bouncy Balls, I would often be like some feral animal bouncing them with all my strength into the ground and watching them fly at break-neck speed high into the sky above me, the strange myriad of colourful images reflecting in the sky. I also used to try and bounce said balls from my back garden over my child-hood home to the front of the house, where it likely hit on-coming traffic, old people or windows.

I was browsing the internet and found this set of delightful and mind-boggling images of a fab art installation from a few years back by an Australian artist by the name of Nick Savvas, his piece entitled 'Full of Love and Full of Wonder' fuses together in art what can only be described as my current psychedelic mindset and vivid memories of my childhood all into one visual pleasure. Nick Savvas also uses metaphysics as his theme. The bouncy balls are supposed to represent the atoms in which the universe, planet, me, you and your pet cat are all made from.

Enjoy the pictures of the installation and also let your mind, like mine, drift off back into your childhood and beyond!!!

Below the pics I have included a Youtube video featuring the opening section of Juan García Esquivel's classic and amazing Latin-Esque LP.















Enjoy CATS

Paul Messis

Rico & The Ravens - Don't You Know b/w In My Heart (Rally Record - circa 1963/64?)

One of my own all time favourite 45s in my record collection is the one pictured above, Rico and The Ravens with their tremendous and monophonic killer 'Don't You Know b/w In My Heart' on Autumn Records & (2nd pressing) on Rally Records.

Rico and The Ravens were a doo-wop vocal group based in the Philadelphia region during the early 60s, I unfortunately have no idea what year the 45 was released but at a guess I'd say it was around 1963/64??? I believe this was the bands lone recording too.

Doo-wop is one of my favourite musical genres and feel it is totally neglected and also heavily underrated. I love that the music is tragically honest and brutally true with regards to emotions, feelings and soul. 

If American 60s garage group music for me represents the frustration, the moodiness and despair of 60s teen-hood, then doo-wop is the other side of the coin, it is the tender, the beautiful and dream-like aspect of being young in the 60s and best of all being young and in love.

This record ranks high up there in my opinion, it is a totally genius, raw sounding doo-wop record and in my mind I'd consider it to possibly  be one of the best doo-wop records in existence, it certainly is one of my favourite records ever!!!

The song begins with heart-pumping ferocity, frantic guitar interjected bluesy licks added in part with bombastic drumming, the production of the record has the ultimate perfect recording sound and to top it off the song is complete with an amazing falsetto vocal by young Rico who sings amazingly throughout.

Every word of this song is sung like it's meant, teenage lust and tragedy is fully committed to vinyl with every ounce of emotion a teenage boy could ever feel in relation to love, yearning, desperation and desire.

Lyrics include some marvelous thought provoking genius such as "Don't you know? that I love you so? Baby can't you see that I need you??" .... They are simple words, but they are sung in such a manner whereby the vocal makes the hair particles on your arms stand-on-end and affect you in the most profound of ways.

I love this track, It means a lot to me in my personal life, I guess if I ever get married (doubtful I will anytime soon) this track will be the one which gets played when the knot is finally tied.

The B-side 'In My Heart' is a pretty cool doo-wop/R&B standard and I do dig it too, but this blog post is mainly about the genius of the flip side 'Don't You Know'.

Therefore ... have a listen below to this fantastic piece of superb genius from Philly and decide for yourself...




Thanks

Paul 





Tuesday, 14 June 2011

The Intruders - Now That You Know b/w She's Mine (IT Records - 1966)


When the day comes and I win the lottery (or somehow come into the cash), I swear one of the first things I'll be purchasing will be an original copy of this tremendous double-sided 60s garage 45.

In my opinion this record is one of the best ever releases in the 60s garage genre, both sides are absolutely amazing pieces of music, the 45 is a total killer, the A-side 'Now That You Know' with its beyond genius garage-folk jangle and the B-side 'She's Mine' with its ear breaking fuzztone guitar and snotty attitude.

The record even came in an uber-cool picture sleeve as pictured below (how cool do those guys look?)

The Intruders formed in Pittsfield, Illinois in 1964 and went through a number of line-up changes before they cut this amazing double-decker of plastic.

The line-up of the group who played on this genius record were the following guys.

Doug Oakley - Lead Vocals
Bob Evans - Lead Guitar & Vocals
Bill Mobus - Rhythm Guitar & Vocals
Larry Lemons - Bass Guitar
Jeff Hallows - Drums

Thanks to 'Spinthegroove.com' for allowing me to know the names of the band (for more information on this band go to the aforementioned website)

Now we come to the music.... I just want to say that this lone 45 by the Intruders heavily influenced my own 'Time Will Tell b/w When You Pass Me By' 45, purely cos I wanted to get a jangler A-side and Fuzzy B-side.... The A-side 'Now That You Know' is a very important song to me, as it expresses many words I myself can't speak, but also is a huge influence on me musically.

'Now That You Know' is an amazing piece of song writing and features jangley 12-string guitar and amazing lyrics about love's rich abandon, the song is total teen-drama in the 60s garage fashion, I love the innocence in this song and it perfectly fits the zeitgeist of the times.

The song features an amazing 12-string guitar solo and riff and also a lovely driving bassline throughout, the song-writing craft is perfect, the drums sound lush and the lyrics are simply wonderful featuring amazing yearning and questioning in the lyrics such as...

 "You know when we started babe, you had me on a string? Now I think it's time we parted babe, you don't mean anything, What are you going to do, now that you know that we're through?"




The B-side 'She's Mine' is a piece of primitive Kinks-like wonderment (however not as genius as the A-side in my opinion).... this is a typical 60s styled rocker of which a lot of garage fans from around the world would prefer over the flip? (It's a matter of taste I guess)  

'She's Mine' is an angst-ridden track with Maestro fuzztone  all the way through, the song is typical of it's style, the lyrics are fierce as the lead singer Doug Oakley warns off any other guys who may come anywhere near to his girl... "SHE's MINE!!! stay away from my baby" Oakley yells in an ever cool manner.

I kinda dig the sound of the rhythm guitar in this track and love the straight forward drums.




Enjoy

Paul

Jimmy Witter & The Shadows - AAAAAHHH!!! b/w If You Love My Woman (Elvis Recording Co.- 1956)

The year was 1956, the location was Nashville, Tennessee and from this location came forth one of the meanest 45rpm moments in the rockabilly genre. Jimmy Witter with his group the Shadows cut two killer sides which make the above record a real holy grail amongst rockabilly and instrumental music record collectors.

Jimmy Witter later became a well-known radio disc-jockey for WALT in the 60s by the name of Ron Hart.


Young Jim's genius however lies solely in this 45 that he cut for Nashville based 'Elvis Recording Company' in 1956, the label didn't last long as would be expected and was shutdown after this release as Colonel Tom Parker felt that the record label was capitalising on his boy-wonders' name (which they obviously were).

I'm unsure what side was the A-side or what was the B-side.

But the track I wish to highlight in this post is the monstrous instrumental screamer aptly titled 'Aaaaahhh!'.

The track begins with a menacing trio of twangy guitar, tough bass and monotone on the beat drumming, making it a hell of a mean song, an instrumental like this would have set any red-blooded males frustrations higher. The track is unadulterated teen-frustration and primitive snarl in music, only interrupted by the pulse tingling scream which Jimmy Witter let's out mid way through the track. Any mad man, teenage boy, pissed off person can relate to such a scream.

Dig it...


The 45 is a pretty rare one amongst collectors and has reached as high as $400 on ebay in the past.

Enjoy 

Paul Messis